E-40 My Ghetto Report Card: A Retrospective

E-40’s Bay Area Classic

Few artists have been as consistently innovative and influential as E-40. Born Earl Stevens, the Vallejo, California native, has been a fixture in the rap game since the late 1980s. His 2006 album, My Ghetto Report Card, marked a significant moment in his career, a fusion of the Bay Area hyphy movement and Southern crunk that propelled him to new heights of mainstream recognition. This retrospective review will delve into the album’s impact, standout moments, and lasting legacy, offering a track-by-track analysis of this seminal work.

Read More: Best Hyphy Albums: The Bay Area Movement

My Ghetto Report Card | Track-by-Track Breakdown

Track 1: “Yay Area”

The album starts with “Yay Area,” a track that serves as a love letter to the Bay Area, E-40’s home turf. The production, courtesy of Lil Jon, is a potent mix of hyphy and crunk, setting the tone for the rest of the album. E-40’s unique flow and clever wordplay are on full display here, making it a strong opener.

Learn more about the hyphy movement here.

Track 2: “Tell Me When to Go” (featuring Keak da Sneak)

“Tell Me When to Go,” the album’s lead single, is a definitive Hyphy anthem. The track features fellow Bay Area rapper Keak da Sneak, whose raspy voice complements E-40’s slick delivery. The song’s infectious energy and memorable hook made it a commercial success and a cultural touchstone for the hyphy movement.

Track 3: “Muscle Cars” (featuring Keak da Sneak and Turf Talk)

On “Muscle Cars,” E-40 continues the high-energy vibe, this time with a tribute to the classic American cars that are a staple of West Coast culture. Keak da Sneak and Turf Talk lend their voices to the track, adding to the overall sense of camaraderie and regional pride.

Track 4: “Go Hard or Go Home” (featuring The Federation)

“Go Hard or Go Home” represents E-40’s work ethic and determination. The track features The Federation, a group known for contributing to the hyphy movement. The song’s message of perseverance and ambition is a recurring theme throughout E-40’s discography, making it a fitting inclusion on My Ghetto Report Card.

Track 5: “Gouda” (featuring B-Legit and Stressmatic)

“Gouda” is a slang-laden ode to money, a common theme in hip-hop. E-40’s longtime collaborator B-Legit and Stressmatic join him on this track, their distinct voices adding depth and variety to the song. The track’s catchy hook and clever wordplay make it a standout on the album.

Track 6: “Sick Wid It II” (featuring Turf Talk)

“Sick Wid It II” is a sequel to E-40’s earlier track “Sick Wid It” from his 1993 album Federal. The song showcases E-40’s lyrical prowess and unique flow, with Turf Talk providing a solid guest verse. The track serves as a reminder of E-40’s longevity in the game and his continued relevance.

Track 7: “JB Stomp Down” (Skit)

“JB Stomp Down” is a skit featuring dialogue from E-40 and his crew. While it doesn’t contribute to the album musically, it adds to the overall narrative and atmosphere of My Ghetto Report Card.

Track 8: “They Might Be Taping”

On “They Might BeTaping,” E-40 delves into the paranoia and surveillance that often accompany fame and success. The track’s ominous production and E-40’s vivid storytelling make it a compelling listen.

Track 9: “Do Ya Head Like This”

“Do Ya Head Like This” is a dance track encouraging listeners to move to the beat. It’s a testament to E-40’s versatility as an artist, showcasing his ability to create introspective tracks and club bangers.

Track 10: “Block Boi” (featuring Miko & Stressmatic)

“Block Boi” is a gritty track that explores life on the streets. Miko and Stressmatic join E-40 on this track, their verses adding to the song’s authenticity and depth. It’s a sobering reminder of the harsh realities that often inspire hip-hop.

Track 11: “White Gurl” (featuring UGK & Juelz Santana)

“White Gurl” is a controversial track that sparked discussions about race and representation in hip-hop. The song features verses from Southern rap legends UGK and Harlem’s Juelz Santana, adding a cross-regional perspective to the track.

Read more about UGK: UGK | Underground Kingz

Track 12: “GetTheFuckOn.com Part 1” (Skit)

The second skit on the album, “GetTheFuckOn.com Part 1,” continues the narrative thread from “JB Stomp Down,” adding to the album’s overall cohesion and flow.

Track 13: “U and Dat” (featuring T-Pain & Kandi Girl)

“U and Dat” is a catchy, club-ready track that features T-Pain and Kandi Girl. The song’s infectious hook and danceable beat made it a commercial success, further solidifying E-40’s mainstream appeal.

Track 14: “I’m Da Man” (featuring Mike Jones & Al Kapone)

“I’m Da Man” is a braggadocious track that sees E-40 asserting his dominance in the rap game. The song features Mike Jones and Al Kapone verses, adding to its overall swagger and confidence.

Track 15: “Yee” (featuring Too $hort & Budda)

“Yee” is a quintessential Bay Area track that features fellow Bay Area legends Too $hort and Budda. The song’s laid-back vibe and catchy hook make it a standout on the album.

Learn more about Bay Area legend Too $hort: Too $hort – Life is…Too $hort

Track 16: “GetTheFuckOn.com Part 2” (Skit)

The final skit on the album, “GetTheFuckOn.com Part 2,” wraps up the narrative thread started in the earlier skits, providing a satisfying conclusion to the album’s overarching storyline.

Track 17: “Just Fuckin” (featuring Bosko)

“Just Fuckin” is a sensual track that showcases E-40’s softer side. The song features Bosko, whose smooth vocals complement E-40’s rap verses.

Track 18: “Gimme Head” (featuring Al Kapone & Bosko)

“Gimme Head” is a provocative track that continues the sensual theme from “Just Fuckin.” Al Kapone and Bosko join E-40 on this track, adding to its overall appeal.

Track 19: “She Say She Loves Me” (featuring 8 Ball & Bun B)

Find more great Hyphy music in our Ultimate Guide to the Best Hyphy Songs of All Time

“She Say She Loves Me” is a heartfelt track exploring love and relationships’ complexities. The song features verses from 8 Ball and Bun B, adding a Southern perspective to the track.

Track 20: “Happy to Be Here” (featuring D.D. Artis)

The album concludes with “Happy to Be Here,” a reflective track that sees E-40 expressing gratitude for his success and longevity in the music industry. D.D. Artis lends his soulful vocals to the track, providing a fitting end to the album.


My Ghetto Report Card is a testament to E-40’s versatility as an artist and his ability to adapt to changing musical landscapes. The album’s fusion of hyphy and crunk and E-40’s unique flow and clever wordplay make it a standout in his discography. From its high-energy anthems to introspective tracks, the album comprehensively looks at E-40’s artistry and contributions to hip-hop. More than a decade after its release, My Ghetto Report Card remains a pivotal work in E-40’s career and a significant moment in hip-hop history.

FAQ – My Ghetto Report Card E-40

Where is E-40 from?

E-40, born Earl Stevens, hails from Vallejo, California, a San Francisco Bay Area city. He is a prominent figure in the Bay Area’s hip-hop scene, significantly contributing to its growth and recognition.

How many albums does E-40 have?

As of 2023, E-40 has released a total of 29 studio albums. This impressive discography includes solo projects, collaborations with other artists, and his work with the rap group The Click. As per the latest update, his most recent album is Rule of Thumb released in 2023.

How old is E-40?

E-40 was born on November 15, 1967. As of June 6, 2023, he is 55 years old.

What is “Yay Area” by E-40?

“Yay Area” is a track from E-40’s 2006 album, My Ghetto Report Card. The song is a tribute to the Bay Area, E-40’s home region. You can listen to the song on various music streaming platforms.

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